Volume : II, Issue : IX, October - 2012 The Graphic Novel, Narrative Of Conflict And Marginalisation : Reading Parismita Singh's Hotel At The End Of The WorldSonali Rajkhowa Published By : Laxmi Book Publication Abstract : The contemporary graphic novel has nearly assumed the proportions of a
movement. This paper seeks to analyse the graphic mode as a politically sharper and
formally more effective mode over traditional approaches to story- telling. In India
contemporary versions of the graphic novel address issues such as culture, history,
mythology, conflict to name a few. In Parismita Singh's The Hotel at the End of the World
fantasy blends with social reality. Conflict exists at various levels: external conflict,
internal conflict and the metaphorical conflict between the mainland and the periphery.
Infact, the very title The Hotel at the End of the World is evocative of being relegated to
the periphery. The metaphor of the peripheral forms the backdrop of all the tales. The
graphic form here succeeds in projecting the sense of alienation much more effectively
than traditional forms of narrative. The stark and simple panels, devoid of ostentation,
are evocative of the frugal lifestyle of the characters and emphatically announce tropes
of underdevelopment and the marginal. Also the local and the immediate is often
subsumed by the universal human pre-occupation. The graphic form incorporates the
experience of war and conflict in a way that is alien to traditional narrative forms. My
paper will attempt to establish the graphic as a narrative form that addresses the issues
and implications of conflict and explores the history of marginalisation in which the
region is steeped. Keywords : Article : Cite This Article : Sonali Rajkhowa, (2012). The Graphic Novel, Narrative Of Conflict And Marginalisation : Reading Parismita Singh's Hotel At The End Of The World. Indian Streams Research Journal, Vol. II, Issue. IX, http://oldisrj.lbp.world/UploadedData/1465.pdf References : - Arni, Samhita. Sita's Ramayana. Illus. Moyna Chitrakar. Tara Books, India, 2011. Print.
- Ao, Temsula. These Hills Called Home: Stories from a War Zone. Penguin Books, India, 2006. Print.
- Banerjee, Sarnath. The Barn Owl's Wondrous Capers. Penguin Books, India, 2007. Print.
- Baruah, Sanjib. Ed. Beyond Counter-insurgency: Breaking the Impasse in Northeast India. Oxford University Press, New Delhi, 2009. Print.
- India against Itself: Assam and the Politics of Nationality. Oxford University Press, New Delhi, 1999. Print.
- Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” Zeitschrift fur Sozialforschung. 1935. Google. Web. 21 Feb 2012.
- Blake, William. The Marriage of Heaven and Hell. The Wm Blake Page, Google. n.d, n.p. Web. 20 Mar 2012.
- Chaney, Michael A. “Drawing on History in Recent African American Graphic Novels.” MELUS, Vol. 32, No. 3, Coloring America: Multi –Ethnic Engagements with Graphic Narrative. (Fall, 2007), pp. 175-200. Web. 23 Mar 2012.
- Cwiklik, Gregory. “Paranormal Popularity.” Comics Journal, no. 214 (July 1999): 34-6. Web. 23 Feb 2012. Dutta, Nandana. “Narrative Agency and Thinking about Conflicts.” Beyond Counter-insurgency: Breaking the Impasse in Northeast India. New Delhi: Oxford University Press, 2009. Print.
- Eco, Umberto. The Role of the Reader: Explorations in the Semiotics of Text. Bloomington: Indiana University Press, 1984. Print.
- Eisner, Will. Graphic Storytelling and Visual Narrative. Tamarac: Poorhouse, 1996. Print.
- Gravett, Paul. Graphic Novels: Everything You Need To Know. New York: Harper Collins Publishers, 2005. Print.
- Kalita, Rakhee. “Writing Terror: Men of Rebellion and Contemporary Assamese Literature”. Beyond Counter-insurgency: Breaking the Impasse in Northeast India. New Delhi: Oxford University Press, 2009. Print.
- Kirk, Jerome. "Book Review: The Making of a Counter Culture." The American Journal of Sociology, Vol. 75, No. 5, March 1970: 893-6. Web. 21 April 2012.
- Lieber, Steve, and Nat Gertler. The Complete Idiot's Guide to Creating a Graphic Novel. Alpha Books , 2004. Print.
- Marwick, Arthur. The New Nature of History: Knowledge, Evidence, Language. Palgrave Macmillan, 2001. Print.
- P.P, Naseer Ahmed. The Believers. Phantomville Publishing House, 2006. Print
- Rothschild, D Aviva. Graphic Novels: A Bibliographic Guide to Book Length Comics. Libraries Unlimited, 1995. Print.
|
Article Post Production
Article Indexed In
|