Indian Streams Research Journal

Volume : V, Issue : IX, October - 2015

THE ROLE OF MODEM POETIC DRAMA IN THE EXPANSION OF HUMAN SENSIBILITY WITH SPECIAL REFERENCE TO T S ELIOT

S K Mishra, -

By : Laxmi Book Publication

Abstract :

The Modem poetic drama represen - ted by T. S. Eliot is a significant development for the theatre in terms of expansion of human sensibility. Eliot has declared that modern playwrights were hampered by the limitations of prose. His theory of poetic drama he feels helps us to discover a pattern beneath, the pattern of drama at the surface and in this discovery verse plays a crucial role.

Keywords :

• Comedy
• Comedy

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References :

1. A.W. Schlegel, Lectures on Dramatic Art and Literature. trans. Black (London; 1846), quoted by J. L. Styan.
2. Burke, Kenneth. A Grammar of Motives. New York: Prentice-Hall,1945
3. Selected Prose. London: Penguin Books, 1953.
4. On Poetry and Poets. London: Faber and Faber, 1957.
5. David Daiches, Critical Approaches to Literature (London; 1956).
6. The Cocktail Party, The Complete Poems & Plays of T.S. Eliot. London: Faber and Faber, 1969.
7. Selected Prose. London: Penguin Books, 1953.
8. Burke, Kenneth. A Grammar of Motives. New York: Prentice-Hall,1945
9. The Cocktail Party, The Complete Poems & Plays of T.S. Eliot. London: Faber and Faber, 1969.
10. A.W. Schlegel, Lectures on Dramatic Art and Literature. trans. Black (London; 1846), quoted by J. L. Styan.
11. The Cocktail Party, The Complete Poems & Plays of T.S. Eliot. London: Faber and Faber, 1969.
12. Selected Prose. London: Penguin Books, 1953.
13. Donoghue, Denis. The Third Voice. Princeton, N. J.: Princeton Univ. Press, 1959.
14. David Daiches, Critical Approaches to Literature (London; 1956).
15. Denis Donoghue, The Third Voice (Princeton, Princeton Univ. Press, 1959.
16. The Cocktail Party, The Complete Poems & Plays of T.S. Eliot. London: Faber and Faber, 1969.
17. A.W. Schlegel, Lectures on Dramatic Art and Literature. trans. Black (London; 1846), quoted by J. L. Styan.
18. Denis Donoghue, The Third Voice (Princeton, Princeton Univ. Press, 1959.
19. The Cocktail Party, The Complete Poems & Plays of T.S. Eliot. London: Faber and Faber, 1969.
20. Donoghue, Denis. The Third Voice. Princeton, N. J.: Princeton Univ. Press, 1959.
21. Selected Prose. London: Penguin Books, 1953.
22. Eliot, T.S. “The Aims of Poetic Drama”. Adam International Review, November 1949.
23. A.W. Schlegel, Lectures on Dramatic Art and Literature. trans. Black (London; 1846), quoted by J. L. Styan.
24. Eliot, T.S. “The Aims of Poetic Drama”. Adam International Review, November 1949.
25. Burke, Kenneth. A Grammar of Motives. New York: Prentice-Hall,1945
26. On Poetry and Poets. London: Faber and Faber, 1957.
27. Donoghue, Denis. The Third Voice. Princeton, N. J.: Princeton Univ. Press, 1959.
28. On Poetry and Poets. London: Faber and Faber, 1957.
29. Denis Donoghue, The Third Voice (Princeton, Princeton Univ. Press, 1959.
30. The Cocktail Party, The Complete Poems & Plays of T.S. Eliot. London: Faber and Faber, 1969.
31. Donoghue, Denis. The Third Voice. Princeton, N. J.: Princeton Univ. Press, 1959.
32. Selected Prose. London: Penguin Books, 1953.
33. Burke, Kenneth. A Grammar of Motives. New York: Prentice-Hall,1945
34. On Poetry and Poets. London: Faber and Faber, 1957.
35. Donoghue, Denis. The Third Voice. Princeton, N. J.: Princeton Univ. Press, 1959.
36. Eliot, T.S. “The Aims of Poetic Drama”. Adam International Review, November 1949.
37. A.W. Schlegel, Lectures on Dramatic Art and Literature. trans. Black (London; 1846), quoted by J. L. Styan.
38. Donoghue, Denis. The Third Voice. Princeton, N. J.: Princeton Univ. Press, 1959.
39. David Daiches, Critical Approaches to Literature (London; 1956).
40. Donoghue, Denis. The Third Voice. Princeton, N. J.: Princeton Univ. Press, 1959.
41. Donoghue, Denis. The Third Voice. Princeton, N. J.: Princeton Univ. Press, 1959.
42. Donoghue, Denis. The Third Voice. Princeton, N. J.: Princeton Univ. Press, 1959.
43. David Daiches, Critical Approaches to Literature (London; 1956).
44. Donoghue, Denis. The Third Voice. Princeton, N. J.: Princeton Univ. Press, 1959.
45. The Cocktail Party, The Complete Poems & Plays of T.S. Eliot. London: Faber and Faber, 1969.
46. On Poetry and Poets. London: Faber and Faber, 1957.
47. Eliot, T.S. “The Aims of Poetic Drama”. Adam International Review, November 1949.
48. Denis Donoghue, The Third Voice (Princeton, Princeton Univ. Press, 1959.
49. David Daiches, Critical Approaches to Literature (London; 1956).
50. Selected Prose. London: Penguin Books, 1953.
51. On Poetry and Poets. London: Faber and Faber, 1957.
52. On Poetry and Poets. London: Faber and Faber, 1957.
53. Eliot, T.S. “The Aims of Poetic Drama”. Adam International Review, November 1949.
54. The Cocktail Party, The Complete Poems & Plays of T.S. Eliot. London: Faber and Faber, 1969.
55. David Daiches, Critical Approaches to Literature (London; 1956).

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