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Volume : II, Issue : III, April - 2012 RAAG CONCEPT IN INDIAN MUSIC : A DELIBERATION ARCHANA M. AMBHORE DOI : 10.9780/22307850, Published By : Laxmi Book Publication Abstract : This paper describes the Raga concept in Indian Music, it also describes about comparative study
by different scholars. The concept of Raga is therefore a product of thought or an idea of settings of abstract
idea of tones, transfered in concrete form. Raga means a basic melodic and grammatical construct born out
of the entire gamut of musical notes subjected to a process of intentional selection and further exploited
with a view to enable the artist to produce melodic patterns of infinite variety. Keywords : Article : Cite This Article : ARCHANA M. AMBHORE, (2012). RAAG CONCEPT IN INDIAN MUSIC : A DELIBERATION. Indian Streams Research Journal, Vol. II, Issue. III, DOI : 10.9780/22307850, http://oldisrj.lbp.world/UploadedData/868.pdf References : - B. Chaitanya Dev, Indian Music.
- Dictionary of South Indian Music, P. 344.
- Pathak Sananda, Hindustani Sangit me rag ki Utpatti Evam, Vikas, Pg. 31.
- Brihaddeshi, Pg. 94
- 'Ragoka' Eaitihasik Vikas, Sunanda Pathak, Pg. 45
- Choudhary, Subhash Rani, Sangit Ke Pramukh Siddhant, Pg. 78
- Sharma, Dr. Premlata, Rag Lakshna Athava Rag Ke Avashyak Tattva, Nibandha Sangit, Pg. 261-262.
- Swami Prajnananda, A Historical Study of Indian Music, The concept of Raga, Pg. 117.
- Ibid, Pg. 120
- Shtrangways, 'Ragas of Hindustan', Pg. 127
- Popley, K.A., 'The Music of India', Pg. 39
- Rao, H.P. Krishna, The Psychology of Music, Page 30.
- Dr. Saxena, S.K., Aesthetical Essays, Pg. 130.
- Dr. Ratanjankar S.N. Raga its meaning and purpose, Pg. 221 (Commemoration Volume in Honour of Dr. S.N. Ratanjankar)
- Ibid, Pg. 221
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